Leonardo Da Vinci is considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived, responsible for the Mona Lisa, The Last Supper, The Madonna of the Carnation and Vitruvian Man. Leonardo was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer, and this captivating book provides the reader with a unique insight into the life and work of one of history's most intriguing figures. All of Leonardo Da Vinci's work is presented in this compact volume - from his paintings and frescos, to detailed reproductions of his remarkable encrypted notebooks. As well as featuring each individual artwork, sections of each are shown in isolation to reveal incredible details - for example, the different levels of perspective between the background sections of the Mona Lisa, and the disembodied hand in The Last Supper. 640 pages of colour artworks and photographs of Da Vinci's original notebooks, accompanied by fascinating biographical and historical details are here.

A dazzling array of invention, insight and observation from perhaps the greatest genius of Western civilisation. Towering across time as the painter of the Mona Lisa, forever famous as a sculptor and an inventor, Leonardo da Vinci was one of the greatest minds of both the Italian Renaissance and Western civilisation. His celebrated notebooks display the astonishing range of his genius. Dan Brown's The Da Vinci Code and recent in-depth biographies have stimulated renewed interest in Leonardo and his complex and enquiring intelligence. This brand-new selection of sketches, diagrams and writings from the notebooks is a beautiful and varied record of Leonardo's theories and observations, embracing not only art but also architecture, town planning, engineering, naval warfare, music, medicine, mathematics, science and philosophy. Complete with a short biographical essay describing Leonardo's life and achievements, this is the perfect introduction to a mysterious and endlessly fascinating genius.

Master of art, science, philosophy, architecture and much more, Leonardo da Vinci was the definition of a Renaissance Man. While many of his works were left unfinished or have badly deteriorated, his drawings and words preserve his genius and remain a critical resource for artists today. Delve into one of history's greatest minds to be guided and inspired by his works and wisdom in The Leonardo da Vinci Sketchbook. From anatomical studies to tonal compositions, master essential techniques, principles and subjects. Pour over the most compelling details of Leonardo's work and follow the guidance within to become a master artist.

An all-new, jewel-like, reader-friendly format gives new life to this relaunch of an international best-seller.Leonardo da Vinci?artist, inventor, and prototypical Renaissance man?is a perennial source of fascination because of his astonishing intellect and boundless curiosity about the natural and man-made world. During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

Found in the Codex Atlanticus of Leonardo da Vinci's writings and drawings, `The Prophecies' are a collection of enigmatic divinatory pronouncements, some punning and playful, others dire and ominous. While the author's intentions behind these utterances are unclear, they clearly attest to the artist's fevered and troubled imagination and offer a glimpse into a world very similar to that depicted in his lost painting The Battle of Anghiari. This volume also contains a further selection of Leonardo da Vinci's fragmentary writings, in the form of fables and aphorisms. Taken together, these pieces provide an invaluable insight into the thought processes of one of the Renaissance's most productive minds.

'Study me reader, if you find delight in me...Come, O men, to see the miracles that such studies will disclose in nature.' Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, which represent perhaps one-fifth of what he actually produced. In them he recorded everything that interested him in the world around him, and his study of how things work. With an artist's eye and a scientist's curiosity he studied the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painting. He jotted down fables and letters and developed his belief in the sublime unity of nature and man. Through his notebooks we can get an insight into Leonardo's thoughts, and his approach to work and life. This selection offers a cross-section of his writings, organized around coherent themes. Fully updated, this new edition includes some 70 line drawings and a Preface by Martin Kemp, one of the world's leading authorities on Leonardo. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Using scientific methods in his investigations of the human body -- the first ever by an artist -- da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 of his sketches of the skeleton, skull, upper and lower extremities, human embryos, and other subjects.

Aunque el Tratado de pintura de Leonardo da Vinci no fue impreso hasta el siglo XVIII, los fragmentarios manuscritos que para componerlo reunieron sus primeros escritores habian circulado profusamente por Europa y suscitado la admirada curiosidad de artistas y eruditos. El Tratado es obra de las empresas imposibles de Leonardo, un fracaso mas de los que, por muy dispares caminos, se cebaron en su empeno de refundir todas las formulaciones empiricas y todos los topicos conceptuosos del Renacimiento y ordenarlos en una sistema universal. Toda edicion del Tratado debe entenderselas con la dificultad de evocar esta vision y ese fracaso, seleccionando y combinando textos y dibujos, dificultad que no habia sido salvada con acierto en las publicaciones existentes en lengua castellana. La version que presentamos viene, pues, a cumplir una implazable exigencia de la bibliografia artistica espanola.